by RD Mehal
The Unexpected WWII Experience of Louis de Funès
Louis de Funès’ experience of the Second World War and its aftermath was marked by circumstances so different from that of a typical soldier. When de Funès was initially summoned to war in 1939, aged 25, he was found not suitable for military service because of his thin body and his family history of tuberculosis. Recruited for manual labour, he was rotated through barracks until he was stationed on the banks of the Marne. His impersonations – particularly Maurice Chevalier – amused the troops during the "Phoney War," a precursor to his comedy genius. He was discharged after a short illness, misdiagnosed with tuberculosis, which, he thought, saved him from fighting at the expense of another. His brother Charles, however, was not so lucky, dying in the German assault. Louis took over the care of his nephew, but could not keep him because he had no income.
In his absence from the battlefield, war and occupation had profound effects on him. Disabled from military service due to illness, Louis worked shit jobs, sweeping windows and scraping floors. His musical ability, however, soon led him to work as a bar pianist, where, even though he couldn’t read music, he taught himself to play by ear. Working in a variety of bars, and sometimes at unimaginably long hours for very low tips, exposed him to diverse audiences, and was an interesting laboratory for his acting career. At this time, he connected with other musicians such as Eddie Barclay and practised his piano playing, which would later be used in some of his films. He played piano as a pastime not just to support his family, but also as a means of expressing himself. It was the filmmaker Georges Lautner who once observed him singing over a piano while playing.
De Funès’s Foundation in Jazz and Early Theatrical Pursuits
His musical pursuits led him to the International Conservatory of Jazz in the early 1940s, where he met his second wife, Jeanne Barthélémy. The conservatory brought together many of the gifted men and women who would later become movers and shakers in the French arts community, forging influential links. De Funès, who had gone to drama school at the age of 29, became interested in acting in 1943. There he met Daniel Gélin, who had arranged for his stage debut.
Although his presence in the theatre became increasingly commonplace, de Funès still ate and worked as a jazz pianist, many hours a day, demonstrating how committed he was to survival as much as to his creative ambitions. He also had the benefit of not being ordered into work service by his brisk concierge.
With Daniel Gélin, his "chance", in 1945, de Funès made his cinematic debut in "La Tentation de Barbizon" -The Temptation of Barbizon-, at the age of thirty. Although originally only thrown into small parts and cameos, he persevered, even doing a few roles in various movies. He showed versatility early on in his career, like Du Guesclin.
His role in "Pas de week-end pour notre amour" -No any Weekend for Our Love- gave fans their first glimpse of his musical abilities on the big screen.
His early film acting may have been modest, but every moment served as a foundation for him becoming an enduring and celebrated comic.
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